Philadelphia – Page 3

Concert Review: Tennis @ Underground Arts (November 7, 2013)

By Shannen Gaffney

Denver based indie pop group Tennis played on November 7th to an intimate and excited crowd at the Underground Arts space in Center City Philadelphia, which opened just last year. If you haven’t been to Underground Arts before, you’re missing out! The coolest new semi-hidden venue in Philly, it’s a small industrial warehouse-type of basement, covered in Christmas lights and art pieces.

They began the set with “Petition,” and played most of the best songs from 2012’s Young & Old: “My Better Self,” “Traveling,” and “It All Feels the Same,” along with some new songs. Their new EP, Small Sound, is a continuation of their cutesy, airy pop sound and has been released on the band’s own label, Communion. Alaina’s signature lush vocals are the focus point of Small Sound. On their single, “Mean Streets,” she sings, “Born and raised on the mean streets / That’s where she learned how to keep the beat”. The rest of the EP is full of similarly playful lyrics and melodies that got the small but energetic crowd dancing all night.

Here are some pictures from the show!

Concert Review: Godspeed You! Black Emperor (October 16, 2013)

By Jonathan Plotkin

Let’s just get this out of the way now: I don’t listen to Godspeed You! Black Emperor. My friends have told me all about them and I’ve seen that scene in 28 Days Later that uses one of their songs to show the utter hopelessness of waking up in a post-apocalyptic world. But save for the one time I heard Lift Your Skinny Fists Like Antennas to Heaven while driving my friend back from New York, I’ve heard more about them then I’ve actually heard them. So when I saw them on on Wednesday I really had no idea what to expect.

Post rock, much like prog rock, is a genre I’ve always wanted to get into but never got around to doing so, mainly because the songs are so long and dense. That doesn’t stop me from reading about post rock while I should be doing homework though so I have a good idea about what the genre means. I always hear it described as “music for the Apocalypse” or “the soundtrack to the end of the world.” This has colored my opinion of the genre, but it’s more like looking through a foggy window instead of just walking outside and climbing some trees.

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Concert Review: Atoms for Peace @ The Liacouras Center (September 24, 2013)

By Kirsten Becker

I jumped at the opportunity to see Atoms For Peace kicking off the US leg of their tour in support of “Amok” at the Liacouras Center. For those who don’t know, the superband is composed of Thom Yorke of Radiohead, frequent collaborator and producer Nigel Godrich, Flea of Red Hot Chili Peppers, Brazilian percussionist Mauro Refosco, and Joey Waronker. They entered the stage and kicked things off with the opening track to “Amok” entitled “Before Your Very Eyes…” Yorke then broke between the next song to voice one of the few words he would say that night: “My name is Jay Z,” (gesturing to Flea) “and this Beyonce.” Delving back into the music, Atoms For Peace played both original songs and versions of Thom Yorke’s solo material from his 2006 record “The Eraser.” Yorke flailed around the stage doing his signature moves while his haunting voice danced above Flea’s erratic basslines. Refosco showed off his talent playing various indigenous percussion instruments, some of which I could even recognize. The performance had a high level of energy and emotion, something that couldn’t ever be captured on an album. All of the members were fully invested in each song and every move and note was calculated; even down to the lights which fluttered and pulsed to the music.

After an impressive set, Atoms For Peace walked off the stage to roars from the crowd. When they returned for an encore, Flea had a melodica in hand. They performed an interesting and jarring version of Yorke’s “Skip Divided.” Also in the encore was a cover of UNKLE’s “Rabbit in Your Headlights” and Radiohead rarity “Paperbag Writer.” Five songs later, they left the stage again. It was clear they weren’t over just yet, roadies tuned and adjusted guitars in the dimmed lights. Finally, the collective returned; this time Flea making a costume change into a Temple basketball jersey. The final two songs were again Thom Yorke originals, “Atoms For Peace” and “Black Swan.”

The musical genius of this band is remarkable and seeing them live is an experience in itself. “Amok” is available now, for more information on the band and future tour dates, visit http://atomsforpeace.info/

Interview with Young Pilgrims (September 10, 2013)

By Jonathan Plotkin

Young Pilgrims are an indie punk revival band from Philadelphia. Earlier this summer, they released their debut album Kyoko and a Rocket to the Moon on their Bandcamp, have been playing places such as Don’t Tread On Me, Jolly’s, and North Star Bar, and were recently featured as artist of the month by The Deli Magazine. On September 10th, after their last show, I got the chance to sit down with the band and talk it out for a few minutes.

Jonathan: So you guys are Young Pilgrims, what are your names?

Sean: I’m Sean Brown.

Zack: I’m Zack.

Jonathan: And what instruments do you play?

Sean: I play the guitar and I sing.

Zack: I play the bass guitar and I sing sweet harmonies.

Jonathan: And is there a drummer in the band?

Sean: Nick Boonie. We have two drummers, actually.

Jonathan: Who did you record the album with?

Sean: Jesse Appel.

Jonathan: And they’re both not available right now.

Sean: That’s right, they both died in the accident.

Jonathan: Right, the accident. We’ll get back to that totally true and not made up story later. So how did you guys meet in order to form your band?

Zack: High school. A lot of people went away to college and their band broke up and we made a new band.

Sean: Can I… can I tell that better than you did?

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Interview with Ruin (August 28, 2013)

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By Mike Eidel

Ruin, Philadelphia’s inimitable and legendary band came down to the station to hang out, spin some records and talk about their highly anticipated Union Transfer reunion show (Saturday 8/31!!) future releases, past shows, sparklers and much much more!

Ruin is more than music, or at least aspires to be more. Initially, it was a propaganda project. Students of the arts, philosophy and religion, doing lab work with music. Experimenting with ways of being human. Was, and still is . .

For more on Ruin Read this great article from City Paper.

Interview with Ted Nguyent (July 9, 2013)

By Nick Sukiennik

I went to Mad Dragon Studios to interview Travis Arterburn, vocalist and drummer for local punk outfit Ted Nguyent, about his newly formed record label and its first release, “Philadelphia Comp. 2013”

Nick Sukiennik: What is Self Help records?

Travis Arterburn: Basically at this point it’s just a name for something for me to release things under. I was working on a compilation for my senior project of 15 different Philly DIY bands. I wanted to put it on record but I didn’t have enough money. I decided that I’d put it on tape because I could duplicate it myself. Basically, I was going to release it so I figured [I should] put a name on it. I’m trying to use the money I make from that to do some other things, maybe put out some tapes for a couple other bands, and eventually put out a vinyl from Ted Nguyent. So, a small label, I guess.

NS: So where do you get your funding?

TA: So far the only funding I’ve needed was buying the 300 tapes, art and boxes and stuff, which wasn’t super cheap or super expensive. But it was just money I saved up from delivering sandwiches (laughs).

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Ladyfest Philly Brings Music and Activism Together

By Nick Sukiennik

At a time when inequality and discrimination are rejected by current societal standards, what is the real state of women’s rights in this country? Ladyfest Philly, a festival of music, arts, and activism, challenges the notion that equality is a reality for all individuals, and aims to take some of the necessary strides to make it so this weekend, Friday, June 7th, through Sunday, June 9th.

A primary issue in this fight for justice, and one that Ladyfest intends to vocalize, is the notion that women, in addition to other underrepresented groups, should have the right to choose what is best for themselves.

I asked Sara Sherr, who co-organized the event and was active in the public relations and booking committees, about this standpoint. She explained: “On paper we have more opportunities than we’ve ever had, but there are people trying to take away that freedom.” This relates to the issue of “reproductive rights”, one of the most controversial topics of the past decade.

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