Chattin’ with Deeper Kenz (100% Silk)

Our friend & anonymous producer Deeper Kenz just put out a fantastic tape on the always-excellent LA-based label 100% Silk. They put together a disco-laced mix for us and we chatted about wandering, relationships, and of course, Kensington.

Peep the mix & our discussion below:

KDU: Where did the Deeper Kenz alias come from?

Deeper Kenz: The name of the project was meant simply to pay homage to the place in which the music was made. I first moved to Kensington in 2007 and was 19 at the time. I feel like I became an adult there. I owe a lot to the neighborhood and its different residents.

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KDU: How did Philadelphia influence the sound of this tape?

Deeper Kenz: The Sound of Philadelphia is a wonderfully dense landscape and so many parts of it have affected me deeply- the city’s towering contributions to Soul, Disco, and Hip hop, the Experimental and Noise music communities of which I was a peripheral part, the Saturdays of Caribbean music on WKDU, the talented people I DJ’d with at clubs and parties, the dancers there- I felt so connected to and inspired by all of this while I was working on the tracks that would end up on the tape. I spent so many hours wandering around the city but I was always most attached to Kensington. The track names were an attempt to create a map of some of the details of the area that were most important to me.

KDU: Were there any artistic influences that went into Deeper Kenz?

Deeper Kenz: I was obsessively digging for Techno, House, Disco, Funk, and Soul tunes at the time I was working on these, so I’m sure I was fully processing my education. I also was trying to make music I could play out Djing and would fit in the context of my sets. I was also inspired by the personal relationships I had at the time and the inexhaustible current of music flowing through so many of them. I hope the gratitude I feel shows in the music.
KDU: How did you get involved with 100% Silk?
Deeper Kenz: I got in touch with 100% Silk through some mutual friends- Britt Brown had written a review of another project of mine and we first began corresponding about that. He was interested when I told him I had some music that sounded vaguely appropriate for the label and I was ecstatic when they agreed to release it. I hadn’t exactly intended for these recordings to come out- they were just for myself and my friends. All this comes as a pleasant surprise.

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KDU: What is your favorite food and/or drink to eat before or after hittin tha club?
Deeper Kenz: Ha- thanks to everyone at W/N W/N who fed me whether I asked for it or not.

Pour yourself a nice covfefe & enjoy the full Deeper Kenz tape here.

Dance Sounds From The Underground – Part 1

By Chris Burrell

Untz, untz, untz, untz…

It’s been nearly impossible to ignore the proliferation of dance music in America over the past few years.

For better or worse, the massive commercial success of EDM has elevated the DJ to rock star status and spawned quite a polarizing dialogue about the state of dance music in the US. While some of this success has given America a bad rap in the dance community (re: Paris Hilton, Pauly D, Molly), let us not forget that before EDM was a ubiquitous acronym, Chicago and Detroit birthed house and techno music respectively.

Regardless of your stance on the uptick of neon-clad sunglasses at night fist pumpers, it’s hard to argue that the bright spotlight on dance music has afforded some highly talented artists an avenue to reach a much wider audience than ever before. With now household names such as Fool’s Gold, Mad Decent, Brainfeeder, DFA, and Ghostly having been major innovators in a variety of dance scenes for years, this blog-o-series serves to give a little shine to some lesser-known ‘Merican labels that are seriously holding it down.

From Brooklyn to LA and Detroit to Miami, stay tuned to this space for the 411 on the American dance music underground through the lens of its most excellent labels. The first post in this series highlights two fantastic and extremely diverse vinyl focused labels from the left and right coasts.

Also, check out the Rhythm Method on Thursday nights from 9-11 PM EST to hear some of these releases being spun on the airwaves by yours truly, @CrispyChrisX.

Continue reading “Dance Sounds From The Underground – Part 1”