9 albums, 7 singles, 5 shows, 3 mixes & 1 Man of the Year – Chris B’s Best of 2014

These were my favorite albums of 2014.
These were my favorite albums of 2014. I only picked 9 because they looked cool on a grid.

I made an end of year list that doesn’t suck. In terms of methodology, I started by choosing 9 albums because the covers looked cool on a grid. There was also a ton of good shit outside of albums, so then I created the other categories and capped the entries in those categories by descending odd numbers (9-7-5-3-1).

Critical reviews & ratings are arbitrary (see: Pitchfork), but rankings are arbitrary as fuck, so for each category I put all the entries in alphabetical order.

TOP 9 ALBUMS OF 2014:

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The Most Slept-on Records of 2014

by Glasses // @NiceTryBill

image1 It’s Christmas time for the Western world: the time for folks with way too much white privilege to go out drinking in the streets while families go out and fill their voids with vapid consumerism. This is also the time for year-end lists, where savvy music listeners seek out top album countdowns that most fit their already set tastes in hopes of some vague form of reinforcement. In response to forgettable sad boys with guitars singing about marijuana cigarettes and aimless feelings, here is a brief list of the top 10 records that you slept on in 2014:

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Adam B & Ultrasound Radio USA present: Our Top 20 albums of 2014 (in 140 characters or less)


rtj

 

by Adam B. & Ultrasound Radio USA 

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“New” Matt’s top albums of 2014

by Matt Scottoline

real

The following are the albums released this year which I spent the most (or at the very least, some) amount of time with. The list is numbered, however, if I’m being honest, after about #4 or #5, they all fall into the category of “albums where I’ve enjoyed songs but don’t really feel an affection for on any deeper level.”

To say I really loved 10 or however many albums this year would be untrue. But I also always find myself going back to albums from any given year and finding that love in places I wouldn’t have expected. I guess what I’m really trying to say is none of these lists matter that much. Or at least mine doesn’t. But you’ve already read this far, so it would be kind of silly to stop now, right?

 

So, here is my list for 2014. Some of these albums I really love (#1 and #2) others I’m very fond of (#3 and #4) and the rest had –at the very least– songs that I enjoyed.

Badgalkiki’s Top Albums of 2014

by Kirsten Becker

2014 was an incredible year of great rock and roll music. Here are some of my favorite albums, in kind of an order, but not really.*~~

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6 Shots of Black Friday Angst

By Esmail Hamidi
This mini-playlist comes from a particularly grumpy November afternoon – not necessarily Black Friday, but you get the idea. Songs that go through your head while you’re getting trampled trying to buy something you don’t need. Or something. Consumerism normally inspires positive emotions. In this playlist, this is not true.

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Funkin’ It Up For A Good Cause

by Wil Schade // @wilschade

brojo

World Café Live will be the place to be tomorrow night when some of the east coast’s funkiest acts come together to put on a Thanksgiving Eve performance for charity. The show will be in support of Will Funk For Food, an organization that works in conjunction with Philabundance to benefit those less fortunate facing hunger especially during this holiday season. Food donations will be accepted at the show, so bring a canned item! The lineup features some great music so here’s some info on the incredible talent that will be present:

Brother Joscephus and The Love Revolution

Based in New York City, Brother Joscephus was formed in 2007 on a cruise ship by David Mendelsohn (aka Brother Joscephus) along with keyboardist and music director, the Right Reverend Dean Dawg.   The band started out playing in NYC and eventually bought a van and made the pilgrimage to New Orleans, where they get much of their influence. They describe themselves as a combination of funk, jazz, and secular gospel.

“Brother Joscephus is a little bit of a music collective,” says Brother Joscephus, “We perform with a lot of different vocal artists from all over the country whenever we travel. We are a ten-piece band, almost like an orchestra. We like to get very over the top with our arrangements.” When asked about their creative process, he replied, “The music is very intricate and highly arranged. It becomes quite a process, but I think the end result is worth it.”

Over the years, their music has evolved to include more epic, nuanced, and grand-scale compositions.   They released their third album “Revolution of Love” last year which highlighted their secular gospel side, which contains messages of acceptance and a broader, more inclusive message of gospel music.

“It’s going to be a really special night of music, all three bands are going to work great together, and it’s for a great cause.”

Swift Technique

Swift Technique is a group of Philly funksters that we’ve recently had here in the WKDU studios for a live session which can be heard here. Formed in 2007, they started out as a live hip-hop group. As they progressed (and the emcee left the band), they began to evolve into a funk powerhouse in the tradition of James Brown. Bassist, Jake Leschinsky, plays in Swift Technique and Brother Joscephus.

“Swift Tech is more of a straight-up funk band, and BroJo is a group that draws more from New Orleans jazz and funk influences, but the two groups together really complement each other well. I wouldn’t call them the same genre, but it’s the same spirit and creative energy that should make for a really compelling evening for people who want to dance and let loose,” says Leschinsky. They are a band that focuses on delivering high-energy live performances to get audiences on their feet.

“Songwriting has always been a pretty organic process. We never really try to force anything.” Leschinksy elaborates, “We really make a point of collaborating in the rehearsal setting on the material. Being a predominantly instrumental group it gives us a bit of a creative license to have some unusual arrangements that are really unique to Swift Technique.”

The group is about to release EP of a mix of various recordings over the past year recorded in Philly, New Hampshire, and live recordings from the Ardmore Music Hall.

Tickets for the show can be purchased here.

NOTE: Non-perishable food items will be collected on behalf of Will Funk For Food and Philabundance the night of the show!