Show Preview: Sinkane @ Johnny Brenda’s 11/10

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By: Nick Stropko

I see it as a positive sign when a label I like signs a band outside their wheelhouse. Deerhunter on Kranky. Nick Cave and Liars on Mute. When a label with a well-established niche gives a group that significant of a vote of confidence, the results are often excellent.

This was part of what initially drew me to Sinkane, whose first album with the label, Mars, is a relative outlier in DFA’s relatively consistent dance sound (sure, they signed Black Dice, but many of the label’s acts are instantly identifiable). Mars runs the gamut from jazz, to krautrock, to funk in a strikingly elegant way–much like label mastermind James Murphy’s LCD Soundsystem, Sinkane synthesizes his influences in a way that feels less derivative, and more like original expression thorugh existing sonic templates.

His more recent effort, Mean Love, dials back the eclecticism a bit. While I prefer the more free-wheeling Mars, Sinkane’s restraint is not without its merits. The record is packed with slinky, funky jams, packed with the attention to detail one might expect from a studio rat multi-instrumentalist (he has previously worked with Yeasayer, Caribou, and of Montreal, among others).

Sinkane will be playing at Johnny Brenda’s on Tuesday, and I’d highly advise checking it out. The dude can play, and I’m sure his band will have chops to spare as well. Get more info and tickets here.

[youtube https://www.youtube.com/watch?v=3rleqAGR-zY&w=560&h=315]

Josh Wink talks work/life balance, Philly nightlife history

Josh Wink gives an interview on club vs. home life ahead of hometown Halloween gig.

Ovum's Very Own, Josh Wink
Ovum’s Very Own, Josh Wink

It’s a brisk fall afternoon when I meet up with Josh Wink at Northern Liberties record store Profond Music N Art. Josh has just arrived back from finishing an acclaimed summer residency in Ibiza and is helping organize his son’s birthday party before heading out to Amsterdam the next night.

“My son is four, so I’m still new to being a parent, and there’s all these things I try to balance: being a father and a partner to my wife, being ‘just Josh’ to the people I know from the neighborhood and community gardens, and then being Josh Wink the artist. Finding time to do other things is difficult, but there’s something nice and humble about being here in Philly. I like riding my bike places, I don’t have a car.”

This year marks the twentieth anniversary of Josh’s game-changing anthem “Higher State of Consciousness”, the first instrumental record to ever enter the UK’s top 15 national chart twice in one year. The track burst him onto the international scene and became heavily engrained with the first wave of pre-EDM stadium-packing electronic music that took the US and Europe by storm in the ‘90s.

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Josh co-hosted a show on WKDU in the 90s called Rave FM, so you know we had to get him to do a station ID for us!

Continue reading “Josh Wink talks work/life balance, Philly nightlife history”

Telekinesis plays Philly tonight, chases 80’s vibes on new album

by Shannen Gaffney

Photo from With Guitars
Photo from With Guitars

Telekinesis, the moniker used by Michael Benjamin Lerner, (also the superpower which allows superheroes to move objects with their minds) has released a new album this September on Merge Records called Ad Infinitum. On tour with Say Hi, he plays Johnny Brenda’s tonight and spoke to us about finding new influences and staying inspired on the road.

On facing writer’s block while working on the new record Lerner said, “I tried to play the guitar but just didn’t want to do it, it was very uninspiring to me at the time. So I just put the guitar away and then tried to learn a bunch of other instruments. I didn’t really understand how drum machines and synthesizers worked before… it sort of came out of boredom in a way.” Continue reading “Telekinesis plays Philly tonight, chases 80’s vibes on new album”

Goldroom on Fighting the Good Fight & his Favorite Snapchats

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The warm sunny vibes of California perfectly match Goldroom’s music.

Ahead of his LIVE full band performance at Coda tonight (10/15), we caught up with Josh Legg, the mastermind behind Goldroom, to talk about what it means to deliver a true live electronic music performance, his influences, and what his favorite kind of Snapchats are.

KDU: So you’re on a live tour now. What does it mean to you with regard to DJing vs live performance?

Goldroom: I grew up playing in bands and have always incorporated a lot of live instrumentation into my music. I cared a lot about DJing when I started Goldroom and I was only doing DJ sets then. I still DJ all the time – both in clubs and festivals. For me, playing live is a whole different level of emotional commitment and it’s much more musically fulfilling for me. We’re not up there with a couple of drum pads and an Ableton controller. When we’re up there live it’s a four-piece band with bass, guitar, and we sing every song – it’s truly like a band experience. Trying to bring electronic music to people in an authentically live performance is something that means a lot to me and I’m trying to fight the good fight.

Continue reading “Goldroom on Fighting the Good Fight & his Favorite Snapchats”

STREAM: Oberhofer’s New Record, Chronovision

Chronovision features Oberhofer’s signature amped psych-pop with orchestral flourish, New Wave flare, and grungy fuzz, but multiplied with his intensity that only time and life’s gut checks can enhance. The road to Chronovision was winding, owing to Oberhofer’s resolve to produce the LP himself and initially taking him from the Catskills to Seattle and back. A final spurt brought him to a studio in his hometown of Tacoma, two NYC facilities (Strange Weather, Electric Lady), and the former Sound City in Los Angeles. Lastly: Atlanta to mix with Ben Allen (Animal Collective, Washed Out). Exactly 106 demos later, Oberhofer emerged with these 12 songs.​

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King Gizzard on the Melbourne scene, their upcoming albums + the perfect vegemite sandwich

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Cook + Eric enjoying cheesesteaks in Philly 
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King Gizzard at Johnny Brenda’s 9/13/2015 

Photos from Pooneh Ghana (@poonehghana)

Before their show at Johnny Brenda’s, DJs Kirsten and Shannen caught up with Lucas Skinner (bass) and Eric Moore (drums/manager) of King Gizzard & the Lizard Wizard to talk about everything from poisonous spiders and the Melbourne DIY scene to their new album, Paper Maché Dream Balloon (out November 13th).


First question, cup of blood or shot of shit? 

Lucas: What?

If you had to drink one.

Eric: Is it my own or someone else’s?

Someone else’s.

E: I think definitely blood.

L: I think you’d get more sick if you eat shit.

E: If it was my own, I’d go with blood. I always just drink my own blood anyway, like when I get a cut.

Right, delicious. What are some of your favorite hair products?

E: I used to use Surf Paste in high school. That was a long time ago.

L: I use oils on my beard.

This is the second to last date of your US tour, which city has been your favorite?

L: We’ve done a few places we haven’t been before, New Orleans was one.

E: All the ones up the west coast were cool. Portland was my favorite place. The scenery is so beautiful and the drives are amazing up the coast.

Did you guys do any traveling before KGATLW?

L: We did a tour about three months ago in the states and Europe and most of us went home for a month but Stu and Ambrose and their girlfriends went traveling through Europe and Eric went to LA for a month.

E: Yeah I’ve been away for ages.

L: But before the band we did a US road trip up the east coast starting in Austin and going up to New York. That gave us a good idea of the landscape and how to get around.

What is your favorite thing to do on a date?

L: My girlfriend and I for our first date we went walking our dogs on the beach.

E: Luke is the sweetheart. Mine would just be something lame like going to a bar or a movie. But I haven’t been on a date in a very long time.

L: Eric’s the only one without a girlfriend in the band. Everyone else is kind of settled down. He’s the wild card.

 So you work a lot with artist Jason Galea and your shows have such a strong visual component, is he going to be involved in music videos in the future? 

E: Yeah Jason’s here on tour with us. He does the visuals and is working on heaps of stuff.

L: He’s the creative director, does all our visual stuff, artwork, t-shirts, videos. We’re actually making a video with another friend at the moment because Jason’s a bit busy, that’ll be the first one we’ve done without him. Continue reading “King Gizzard on the Melbourne scene, their upcoming albums + the perfect vegemite sandwich”

Mad Decent Block Party Friday Photo Re-cap

Mad Decent Philly Block Party Friday photo re-cap

Diplo and Mad Decent crew have come a loonggg way since they first set up shop at what is now PHILAMOCA in the early 2000s.

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A trip down memory lane for Diplo, where the sidewalk outside PHILAMOCA still bears the Mad Decent stamp.

The Mad Decent Block party, which originally was a raucous street party that closed down the five-point intersection at 12th Street, Spring Garden, and Ridge Avenue, has exploded into a nationally touring summer sell-out.

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Big up to Sean Agnew (pictured here in Elmo costume with a handle of Captain Morgan, also a former WKDU DJ) and R5 Productions for their biggest show to date, and for handling the event like the champs they are.

We took in the sights and sounds of the Friday madness, catching sets from Major Lazer, Philly’s own Dirty South Joe, Zeds Dead, Keys N Krates, Allison Wonderland, and Giraffage.

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You’ve got to assume that Diplo is used to this at this point.

All photos by Frank Kinyon.

  Continue reading “Mad Decent Block Party Friday Photo Re-cap”