American Football: how midwest emo lives on

by Brooklyn Fellner

Nate Kinsella, Matt Kinsella, Steve Lamos, and “the mysterious” Steve Homes, all poured themselves a glass of red wine in the lounges of the Union Transfer. Their band, American Football, was reuniting after a much anticipated comeback. Here is what they had to say about touring, writing, and getting the band back together. 

American Football had played last in Philly at the UT two years ago, “give or take.” Although the band enjoys touring on the east coast, they said they “enjoy anywhere they’ll have us.” 

They decided to do a deluxe release of their self-titled album after proclaiming “huh people wanna hear us.” This came as an exciting announcement, as the original album, first released in 1999, has been revered as a breakthrough for midwest emo music.

Their first record seems to be a timeless token of late 90s alternative. The band described how it just keeps getting passed on and on in every decade since its release. At every show, 60- 70 percent of their audience are in their 20s or younger and they are still surprised, but enthused by how relevant their music is today.

“it  just seems like it keeps getting passed from generation to generation, it’s neat to be that for someone… even though they should be listening to different bands,” they said.

The revamp of the band is credited to Steve Lamos, who was rummaging through an old box of cassettes in his dad’s home, where he found old recordings of American Football. This rediscovery sparked an interest in playing together again, which led to their reuniting in after years of breaking off and starting families, new jobs, and adulthood. From this, came the American Football LP3 which was released in 2019 and was followed by the tour. Featured on this LP is none other than the queen of alternative herself, Hayley Williams. She lends her outstanding vocals on the song “Uncomfortably Numb.” Nate recalled this only took her three takes to nail.

In high school, the bandmates were in the homegrown punk scene. From there, this lifestyle extended further in college, when there were clusters of shows popping up in Champaign, Illinois. There were opportunities for people to play wherever they were allowed to be loud, so this usually happened in basements and garages. This idea of having DIY shows started to spread, and even if there is no end goal, the band said how they were enjoying their time in the basement regardless of the future of their music.  Through the scene, their band got more and more popular and through “dumb luck,” as described by the band members, American Football caught on.

Fast forward to now, American Football still pulls loyal audiences to every show they have played on their reunion tour. The deluxe release of their self titled album has, without a doubt, inspired an even greater appreciation for midwest emo music.

A Conversation with a hoodratscumbag

Photo of Pablo Cervantez taken by Emily DeHart

It wasn’t too long ago Beach Goons (made up of Pablo Cervantez, David Orcozo, and Chris Moran) was playing house shows in the “surf punk scene” of San Diego, California and using equipment from the public library. These past few months was only their second tour, despite the large and incredibly engaged crowd. The band has been gaining more and more popularity with the release of their new album hoodratscumbags. Singer and guitarist, Pablo Cervantez, explained from behind his tiny merch table at Theatre of Living Arts, that this album is his “little baby,” and has been working on it for 2 years. He went through the process of writing in his room, in the studio, and wiping out 8 songs before he was ready to release it.

With influences from Balance and Composure, Chalino Sanchez, The Cure, and Marvin Gaye it is obvious how Cervantez’s vast music taste contributes to the perfect creation of a surf punk album.

Cervantez went into depth about how important it was that he includes his Mexican heritage in this album specifically. The listener can quite literally hear this in the several verses he belts out in Spanish (such as in the song A.M.) , an inclusion that is greater on hoodratscumbags than any other album Beach Goons has released before. He explained that growing up in San Diego as a first gen was difficult because of ridicule from greater society. He referred to the area as “the ghetto,” something that he made known he is not ashamed of. Cervantez even recalls being pushed to speak english in public by his parents, fearing that he will be looked down upon for his heritage.

With his background influencing his recent album, Cervantez explained how he is no longer ashamed of his heritage. He is simply proud and he wants his parents to be proud.

After hoodratscumbags was released, Beach Goons had the opportunity to have an Audiotree Live session in Chicago, something Cervantez grew up watching and listening to. The coordinators were very welcoming and the overall experience was amazing. Check out their session on Spotify or Youtube to hear the extremely authentic and vocally dynamic recording.

Cervantez closed in on the interview with some insightful advice for kids growing up in less fortunate areas who are told they cannot accomplish anything:

“It’s all Bull Shit!”

Cervantez recommended a documentary about the area he grew up in called Chicano Park:

Check out a full review of the show here:

https://wkdu.wordpress.com/2019/04/14/swmrs-beach-goons-and-destroy-boys-at-tla/

Josh Wink talks work/life balance, Philly nightlife history

Josh Wink gives an interview on club vs. home life ahead of hometown Halloween gig.

Ovum's Very Own, Josh Wink
Ovum’s Very Own, Josh Wink

It’s a brisk fall afternoon when I meet up with Josh Wink at Northern Liberties record store Profond Music N Art. Josh has just arrived back from finishing an acclaimed summer residency in Ibiza and is helping organize his son’s birthday party before heading out to Amsterdam the next night.

“My son is four, so I’m still new to being a parent, and there’s all these things I try to balance: being a father and a partner to my wife, being ‘just Josh’ to the people I know from the neighborhood and community gardens, and then being Josh Wink the artist. Finding time to do other things is difficult, but there’s something nice and humble about being here in Philly. I like riding my bike places, I don’t have a car.”

This year marks the twentieth anniversary of Josh’s game-changing anthem “Higher State of Consciousness”, the first instrumental record to ever enter the UK’s top 15 national chart twice in one year. The track burst him onto the international scene and became heavily engrained with the first wave of pre-EDM stadium-packing electronic music that took the US and Europe by storm in the ‘90s.

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Josh co-hosted a show on WKDU in the 90s called Rave FM, so you know we had to get him to do a station ID for us!

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Goldroom on Fighting the Good Fight & his Favorite Snapchats

goldroom
The warm sunny vibes of California perfectly match Goldroom’s music.

Ahead of his LIVE full band performance at Coda tonight (10/15), we caught up with Josh Legg, the mastermind behind Goldroom, to talk about what it means to deliver a true live electronic music performance, his influences, and what his favorite kind of Snapchats are.

KDU: So you’re on a live tour now. What does it mean to you with regard to DJing vs live performance?

Goldroom: I grew up playing in bands and have always incorporated a lot of live instrumentation into my music. I cared a lot about DJing when I started Goldroom and I was only doing DJ sets then. I still DJ all the time – both in clubs and festivals. For me, playing live is a whole different level of emotional commitment and it’s much more musically fulfilling for me. We’re not up there with a couple of drum pads and an Ableton controller. When we’re up there live it’s a four-piece band with bass, guitar, and we sing every song – it’s truly like a band experience. Trying to bring electronic music to people in an authentically live performance is something that means a lot to me and I’m trying to fight the good fight.

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Making Time History with Dave P

Last week, we had the honor and pleasure of hosting the ever-RAD Dave P in our studios to help him celebrate FIFTEEN YEARS of legendary Making Time parties. Our station actually goes way back with Dave, as he made his FIRST EVER RADio appearance on WKDU to promote the VERY FIRST Making Time in 2000.

Dave P instagram

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Pre-Record Store Day chat with Icebird (RJD2 & Aaron Livingston)

RJD2 & Aaron Livingston
RJD2 & Aaron Livingston in our record library. Photos by Gabe Coffey (lostalgian.tumblr.com)

Everyday is Record Store Day for a lot of us, including RJD2 and Aaron Livingston, who recorded a brilliant album together in 2011 as Icebird. I had the privilege to sit down with them in our studio last week to chat and play some records ahead of the Record Store Day vinyl release of their album The Abandoned Lullaby.

“I feel weird saying I have a lot of records when I’m sitting next to RJ. I have a few records,” said Aaron.

RJ responded, “But I don’t have a lot of records, I don’t have records like Rich Medina. I have a modest record collection when I consider the heavy duty record collectors. I don’t have a storage unit -there’s a defining line and I’m a non-storage unit guy.”

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Pre-EMM chat with Blueshift on house music, brunch

by Chris Burrell // @Chri5B_

Ahead of his set on the #2014EMM, I caught up with Philly DJ and producer Blueshift to chat about house music, changing tastes (music and otherwise), and the Philly scene. He’s got a release out on the legendary New York label Nurvous Recordings, and was the co-founder of the highly acclaimed French Express blog, amongst manyyy other things.

Blueshift in the mix!
Blueshift is one of the many artists we are honored to have as part of our 2014 Electronic Music Marathon. He’s a sick DJ and reps the deeper, house-y sounds – don’t miss his set!

Chris B: Wassup man, thanks for linking up, and looking forward to having you on the EMM!

Blueshift: Noo problem, man – happy to chat, and stoked to participate!

CB: So, how did you get into house music?

Blueshift: I’ve always been a fan of 80’s music. Even as a kid, synthesizer-heavy stuff caught my ear. I loved Eurodance! When I discovered dance music and really got into it, it was mainly the harder stuff like hard trance and such. Over the years, I just branched out and moved to different genres.

CB: What was one of the first tracks like that that you loved?

Blueshift: Snap! – “Rhythm Is a Dancer” is one I always really liked.

CB: As you got older, what was some of the dance-y stuff you got into?

Blueshift: In the later years of high school, I was really getting into music, but listened relatively passively. I remember this one track by Ghost in the Machine called “A Time Long Forgotten” – I listened to that a lot. I think I had a few Hybrid tracks around then, too. College is where I discovered internet radio dance music stations and got into hard house and trance. Stuff like Tidy Boys and Tunnel Trance Force.

CB: So how did you end up moving towards the funky side of things?

Blueshift: Just through changing tastes. I moved from trance, to progressive stuff, and somewhere around 2006/2007 my ear really caught onto the french house and nu-disco sound.

CB: Around that time for me, that was Justice / MSTRKRFT – what was it for you?

Blueshift: I liked their sound, but for me it was the Lifelike/Fred Falke/Alan Braxe crew that really did it for me. Thinking back, the turning point might have been when my friend played one of James Grant’s early Anjunabeats Worldwide shows for me, and I heard Michael Cassette’s tracks for the first time. Something about it just seemed to combine trance, but with a pure 80’s sound and it totally shoved my taste in that direction for the next few years.

CB: They are both awesome crews – as a side note, have you heard Erol’s fabric live mix? Pure FILTHH.

Blueshift: I haven’t! I’ll load it up on queue for today 😀

CB: Have you always been based out of Philly?

Blueshift: For the most part. I was in NJ for a couple years for the last year of high school and for college, but moved back around 2006.

CB: I feel like the ‘scene’ here has kind of blossomed recently – tell me about your experiences in Philly – as a resident, as a DJ, etc

Blueshift: The scene in Philly DEFINITELY has exploded in the past two years or so. The caliber of artists coming through now is so great. We have tons of awesome and current acts in on a regular basis, and lots of smaller groups popping up as well. There’s a pretty steady rotating lineup of good gigs. Philly can also be a pretty tough city to get a handle on though; I’ve played a wide range of shows here, from empty to packed, but I’m definitely grateful for all the opportunities I’ve had to play here.

CB: Who are some of your artist homeys in Philly that we should know about?

Blueshift: The Worldtown peeps have been putting out some great tracks recently (and crushing it with their events) **editor’s note: they’re spinning for us on the EMM, too!**, Apt One always brings the heat **also spinning for the EMM**, Les Professionnels are super pro **ALSO spinning for the EMM**, and PS 118 has some really tight stuff upcoming. Maggs Bruchez are also some of my favorite Philly producers.

CB: Where’s your fave brunch spot?

Blueshift: Cafe Renata in West Philly. I’m always there. I’ve also found myself at Broad Street Diner a bunch recently.

CB: I love pork roll – how do you feel about pork roll?

Blueshift: Pork roll is great, man. Blew my mind when I first heard it called Taylor Ham.

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The 11th annual Electronic Music Marathon will take place October 10-13 on WKDU. 91.7 FM Philadelphia / wkdu.org worldwide!!!!

Tune in for our amazing lineup of DJs, on-air giveaways, and support college radio and arts education while you’re at it!!!!!

Get @ us all weekend long during the marathon for info / giveaways | @wkdu #2014EMM