By Esmail Hamidi
So there’s this thing going around on Facebook where people post about 10 albums that make them cry. In the post, they tag a bunch of their music nerd friends, who do the same thing. Participants bare their soul on social media, everyone discovers a lil’ more music, it’s a good time.
I was recently nominated to do this by WKDU DJ Maren Larsen. In her post, she listed songs instead of albums. By doing this, she brought up a good point, and maybe I’m projecting here, but who wants to sit through an entire album, let alone sit through an entire album crying? Is any album consistently cry-worthy?
Like any good book or fine meal, an album is traditionally sequenced with introduction, rising action, climax, falling action, and conclusion in mind. Musical intensity that may or may not provoke crying can occur during any of these parts of an album, but not all. A song that is cry-worthy may be on an album that is very much not. It is for this reason that I’ve opted to choose 10 songs, not albums, that make me cry.
These songs are in the order they occurred to me. I definitely wouldn’t play all of them on KDU, but they are all significant. Hold on to your hankies, fair readers.
1. Fuck Buttons – Sweet Love For Planet Earth (2008)
It’s hard to nail down why, but this is the first song that I thought of. I guess it might be attached to some old memories. Over this ten minute track, Fuck Buttons uses swampy electronics to build a hulking groove.
2. The Rolling Stones – Shine A Light (1972)
The penultimate track from the Stones’ drugged out, ambling, classic album: Exile on Main St.
Mick Jagger delivers a great vocal performance. True fact: Shine a Light was written about ex-Stones guitarist and 27 Club member Brian Jones’ worsening drug addictions in the late 60s. Cut with the Rolling Stones Mobile truck, a legendary thing among studio nerds and musicians alike.
3. Weekends – Camp Nowhere (2008)
The final track off Weekends’ first, self titled album. The coda features an oscillating snippet of the drummer yelling “Hey!” in a way that some may find annoying, but I interpret as exploding with emotion. It’s the musical equivalent of a thought loop, emerging from the background while life continues in the form of the duo bashing away on their gear.
[bandcamp width=100% height=120 album=549624242 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small track=3226164341]
4. The White Stripes – The Air Near My Fingers (2003)
“Life is so boring/it’s really got me snoring/wearing out the flooring in a cheap hotel”.
Jack White said that the album, 2003’s Elephant, was a commentary on “the death of the sweetheart” in American culture. In a New York Times interview, White elaborated, saying that “The sweetheart, the gentleman — it’s the same thing. These ideas seem to be in decline, and I hate it. You look at your average teenager with the body piercings and the tattoos. You have white kids going around talking in ghetto accents because they think that makes them hard. It’s so cool to be hard. We’re against that.”
I take this to mean that with this album, the Stripes rally against the lack of emotion in early-oughts American culture. Emotion can be good or bad, but is always powerful. This song is sniffle-enducingly powerful.
5. Jimi Hendrix – Bold As Love (1967)
The final track on Jimi’s sophomore effort Axis: Bold As Love.
The final “underwater” section guitar solo, featuring the first example of flanging on a studio recording, is incredible.
“My red is so confident that he flashes trophies of war, and ribbons of euphoria/Orange is young, full of daring, But very unsteady for the first go round”
http://www.youtube.com/watch?v=vQY26kcbDDc
6. Mumblr – Sober (2014)
The first time I saw Mumblr was under the Greys Ferry bridge, with my friend Nick. We talked to some Temple freshmen girls, drank out of red Solo cups, climbed on the abandoned rail bridge, and got really hurt in the dusty, dirty moshpit. With broken glass underfoot, surrounded by skateboard-swinging punks, huffing generator fumes, my mind went to a really beautiful place.
This song is on their upcoming album Full of Snakes, which comes out September 16th.
7. The Plugz – Reel Ten (1984)
This is off the soundtrack to Repo Man (not Repo Men), the 1984 film about Otto, a young Cali punk played by Emilio Estevez. There’s space travel, secret agents, and great music, often all in the same scene. The lesson to be learned here: when punks grab synthesizers, good things happen.
This track is surfy, spacey, eerie, and jubilant. Many chills to be had.
8. PILE – The Jones (2012)
“tried to keep up by running in place/tried to keep my cool but all that blood went in my face/now i’m cold”.
I could go on about PILE forever. They’re my favorite band you can bum a cigarette off of. Their KDU live session was awesome. Rick’s lyrics are about as abstract as you can get. That means they have a wide appeal, but are still cutting-edge intellectual.
My thoughts are racing as my body is transformed into a sweaty mosh alien, feeling the air of the Golden Tea House thicken with the essence of fifty other people having the same exact experience.
9. The Front Bottoms – Skeleton (2013)
“Who was I kidding? I can’t get past you/ You are the cops, you are my student loans”
It’s desperate and ragged, but chugs on and on, like a drunk kid making his way home. Drug abuse, feelin’ loose.
10. Double Dagger – Rearranging Digital Deck Chairs (2007)
Double Dagger is special to me because they were more or less my introduction to basement music, waay back in 2009. Yeah. While this song was never one of their live favorites, it still holds significance because it was pretty much the first Double Dagger song with introspective, philosophical lyrics that are more thoughtful than pissed off. This song is the moment where Double Dagger ceases to be a joke band about graphic design (see also: this song), and becomes the most dangerous band in the land.
http://www.youtube.com/watch?v=3UEGKNOhsKY
“It’s always a problem/when the weight of the world/it’s always a problem/is outweighed by the girl”
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Some observations about this list: 7 out of 10 bands on this list are post-2000. 2 are from Baltimore. 1 hails from Philadelphia. 5 are bands that I’ve seen live. 4 are bands that cease to exist. Take from this what you may.
