All Posts – Communiqué

Interview with Scott Hermo Jr. of Boyscott

DJ LSD: Hello everyone, I’m here with Scott from Boyscott, this is DJ LSD, interviewing Scott for WKDU 91.7 fm Drexel university’s free format non-commercial radio station. Scott, how are you?

Scott: I am doing well, technically, I am very good.

DJ LSD: That’s good! That’s good to hear, so I wanted to get your formal apology for eight years of us waiting for this album. Do you have any form of an apology for that?

Scott: I just, I am an anxious person and it took me a long time to write these songs and uhh let me tell you, I was well aware it was taking so long.

Boyscott’s Spellbound: Nearly a decade in the making, but well worth the wait

By Lukas Da Silva

I remember when I first listened to Boyscott when Goosebumps lead single “Nova Scotia 500” popped up on my Discover Weekly playlist. As a 14 year old boy still getting into indie music, this track helped me begin my journey into the scene. Nearly a decade later, the band has returned to drop their Sophomore LP, a worthy successor to Goosebumps. Filled with tracks from deep in the vault,, Spellbound offers an experience similar to getting a group of old friends together to go on a pleasant road trip down the coast.

Opener “Rocky Road”, sees the band quickly hit their stride. With their ability to quickly recapture the whimsical nature of their sound, Boyscott transports the listener to a nice scenic drive down the mountainside. “Rocky Road” manages to deliver in the same vein as “Nova Scotia 500” with its upbeat percussion and stunning vocal harmonies.

Interview with Kenny Boothby of Little Kid

Noah: Alright so we are here at WKDU interviewing Kenny Boothby of Little Kid. My name is Noah.

Trent: My name is Trent.

N: Alright let’s get this started. So do you have a first question you want to ask?

T: Sure, yeah. So I guess as a good introductory question, when did you first realize that you had a knack for music?

Hovvdy Sets the Bar for Modern Indie Folk at an Insane Height

By Lukas Da Silva

Folk rock has become a mainstay within the indie scene and it’s become bittersweet in a way. The fact that there are so many people enjoying the genre and looking for artists within this field of music makes me so happy. However the overabundance of artists working in the genre has led to a lower standard of quality within the genre of music. Many acts feel paper thin and can feel lifeless within their music. But Hovvdy proves that the standard we should be striving for is higher than I could have anticipated.

While I was originally introduced to Hovvdy on their album Heavy Weight, it took me till their record True Love to begin to fall in love with the folk group. The lush vocals, soothing guitars, and steady drumming made the music from this band reverberate inside of me. It’s this feeling of resonance that is something unique I believe in the folk genre and this album proves that my experience with the band wasn’t a fluke.

Body Farm by The Angies

by Emily Fedon

The Angies, a local Philly alternative band, released yet another amazing EP this year, titled “Body Farm.” This is their second EP, following 2021’s “Civil Dusk.” At only fourteen minutes, it’s a quick yet potent listen that leaves you with a strong desire to seek out more of their work. It’s unknown when they’ll release their first album, but their current catalog of music makes it a highly anticipated announcement. However, we’re not there yet, so let’s get into “Body Farm.”

The EP starts off with their single “Killing is a Bore” that gives a punchy intro to “Body Farm.” The singing style reminded me of some of the heavier Mannequin Pussy songs, and the constant and fast drums give you a rush as you listen. There’s also a sick guitar solo in the middle with fast shreds that match the quick pace of the song. The next song, “Squeal,” follows with a similar sound and features cathartic yelling reminiscent of 90’s riot grrrl and classic punk acts, which act as clear influences on the band.

Only God Was Above Us by Vampire Weekend

by Noah Kossowsky

Photo by Michael Schmelling, Instagram @Michael_Schmelling

It’s been five years since NYC indie golden boys Vampire Weekend released their fourth album, Father of The Bride. FOTB deviated a bit in the sound and atmosphere fans and critics were used to and wound up being received with the most mixed reception of their careers so far. While it was mostly positive, part of me thinks Ezra Koenig and Co. missed the near-unanimous praise their original trilogy was lauded with when making their fifth record, Only God Was Above Us.

It’s remarkable how Vampire Weekend has managed to recapture the sound of their best work. They even find the time to make call backs to the classics (catch the “Mansard Roof” groove on “Connect”). They’ve always had one of the more unconventional and creative combinations of pop genres and elements from across music so I’m glad to see them return to and continue to expand upon it here. Cycling, busy drum grooves, winding guitar riffs and intricate layers of pianos and strings underscore pristine pop melodies in a display that shows the band’s understanding and mastery over their unique sound.

Essential Albums: Q1 2024

Hello everyone! After a 2 year hiatus, we’re finally bringing Communiqué back. YAY!!! For our first entry, we’ve asked a few of our DJs to share their favorite albums of Q1 of 2024. Keep reading to see what DJs Noah, Leah, and Lukas have been loving 🙂

Noah’s Picks

100% Prod I.V. by Lucy (Cooper B. Handy)

Massachusetts-based artist Lucy drunkenly delivers consistently catchy hooks over quirky, minimal and unconventional plugg and trap style beats. His very matter-of-fact lyrical style ranges from cutesy to achingly honest. Some might be thrown off by the whiny, mumbled vocals but if you can appreciate their uniqueness, you’ll be rewarded by a record that shines in its simplicity and boyish charm.

Recommended track: Substance