Josh Wink talks work/life balance, Philly nightlife history

Josh Wink gives an interview on club vs. home life ahead of hometown Halloween gig.

Ovum's Very Own, Josh Wink
Ovum’s Very Own, Josh Wink

It’s a brisk fall afternoon when I meet up with Josh Wink at Northern Liberties record store Profond Music N Art. Josh has just arrived back from finishing an acclaimed summer residency in Ibiza and is helping organize his son’s birthday party before heading out to Amsterdam the next night.

“My son is four, so I’m still new to being a parent, and there’s all these things I try to balance: being a father and a partner to my wife, being ‘just Josh’ to the people I know from the neighborhood and community gardens, and then being Josh Wink the artist. Finding time to do other things is difficult, but there’s something nice and humble about being here in Philly. I like riding my bike places, I don’t have a car.”

This year marks the twentieth anniversary of Josh’s game-changing anthem “Higher State of Consciousness”, the first instrumental record to ever enter the UK’s top 15 national chart twice in one year. The track burst him onto the international scene and became heavily engrained with the first wave of pre-EDM stadium-packing electronic music that took the US and Europe by storm in the ‘90s.

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Josh co-hosted a show on WKDU in the 90s called Rave FM, so you know we had to get him to do a station ID for us!

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Telekinesis plays Philly tonight, chases 80’s vibes on new album

by Shannen Gaffney

Photo from With Guitars
Photo from With Guitars

Telekinesis, the moniker used by Michael Benjamin Lerner, (also the superpower which allows superheroes to move objects with their minds) has released a new album this September on Merge Records called Ad Infinitum. On tour with Say Hi, he plays Johnny Brenda’s tonight and spoke to us about finding new influences and staying inspired on the road.

On facing writer’s block while working on the new record Lerner said, “I tried to play the guitar but just didn’t want to do it, it was very uninspiring to me at the time. So I just put the guitar away and then tried to learn a bunch of other instruments. I didn’t really understand how drum machines and synthesizers worked before… it sort of came out of boredom in a way.” Continue reading “Telekinesis plays Philly tonight, chases 80’s vibes on new album”

Goldroom on Fighting the Good Fight & his Favorite Snapchats

goldroom
The warm sunny vibes of California perfectly match Goldroom’s music.

Ahead of his LIVE full band performance at Coda tonight (10/15), we caught up with Josh Legg, the mastermind behind Goldroom, to talk about what it means to deliver a true live electronic music performance, his influences, and what his favorite kind of Snapchats are.

KDU: So you’re on a live tour now. What does it mean to you with regard to DJing vs live performance?

Goldroom: I grew up playing in bands and have always incorporated a lot of live instrumentation into my music. I cared a lot about DJing when I started Goldroom and I was only doing DJ sets then. I still DJ all the time – both in clubs and festivals. For me, playing live is a whole different level of emotional commitment and it’s much more musically fulfilling for me. We’re not up there with a couple of drum pads and an Ableton controller. When we’re up there live it’s a four-piece band with bass, guitar, and we sing every song – it’s truly like a band experience. Trying to bring electronic music to people in an authentically live performance is something that means a lot to me and I’m trying to fight the good fight.

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STREAM: Oberhofer’s New Record, Chronovision

Chronovision features Oberhofer’s signature amped psych-pop with orchestral flourish, New Wave flare, and grungy fuzz, but multiplied with his intensity that only time and life’s gut checks can enhance. The road to Chronovision was winding, owing to Oberhofer’s resolve to produce the LP himself and initially taking him from the Catskills to Seattle and back. A final spurt brought him to a studio in his hometown of Tacoma, two NYC facilities (Strange Weather, Electric Lady), and the former Sound City in Los Angeles. Lastly: Atlanta to mix with Ben Allen (Animal Collective, Washed Out). Exactly 106 demos later, Oberhofer emerged with these 12 songs.​

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