is / was turns one, talks Pittsburgh unity

Just about to turn one year old, Pittsburgh-based label is / was has already made quite the impact with fresh and timeless releases from heavy hitters and new names alike. We had a chat with label boss Tony Fairchild after he turned in this bangin’ set for the Hot Mix.
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Tell us a little about the mix — what was the idea behind it?
It’s a collection of records I’ve bought over the past month or two with maybe 3-4 that have been in my collection for some time.  I think I’m starting to get to a point where my personal definition of house music is starting to congeal and define itself.  This mix is another step in the distillation process.
You’re a new imprint — how’d this all get started? Is it “is / was” or “was / is” ?
Yes, the labels (is / was & was / is) will turn 1 in April and they are my first labels.  It all started with my desire to present music from the 90’s that has maybe fallen out of the spotlight to dance floors of today.  Currently the curatorial ethos is simply releasing whatever I feel is timeless and important music.  It helps to have a kick drum too!
Looking across the state from Philly, Pittsburgh packs quite the punch with its scene / labels / parties. Tell me a little bit about the scene and what you think makes it special / different.
I think what makes Pittsburgh great is what makes Midwest techno great in general.  Heads-down, no frills, hyper-devoted people who involve themselves in dance music simply for the love of it.  It’s an example of the beautiful things that can happen to art and culture when you take money out of the equation. What I’m most proud about is how cohesive the scene is and how supportive everyone is of each other. All the contributors to our scene have their own hustle yet are able to come together to lift each other up and put wind in each other’s sails.
How do you come across some of these older projects and go about re-releasing them? What can we expect the rest of 2018 ?
Usually it starts with a record I have, or am aware of (and wish I had!), that I think has something to offer current dance floors.  Often its just a matter of contacting the artist and asking if they are interested in working together.  Facebook is a big help!
As far as what to expect from the label, there will be 4 more pairs of is / was & was / is records dropping between now and the end of the year.  Expect tunes from Mark Ambrose, Archetype, BPMF, Dar Embarks, a couple of top secret surprises and the debut of the insanely talented Teakup.  I am also launching a new label, “TerraFirm”, this spring via Subwax Distribution.  Its a very conceptual project focusing on a melodic, utopian, futuristic strain of techno.  Look for 2 releases or so this year on that imprint.
Tell me something distinctly Pittsburgh that I should know about.
I’ve only lived here for about 2.5 years so I’m not the most qualified cultural ambassador!  Our museum has a sick gem room that should be one of the first stops on any tour of the city.
What’s your favorite / least favorite thing about electronic music right now?
Favorite: watching the DJ’s and producers of my generation evolve as they mature in the scene.  I see my cohort getting more nuanced, skilled and discerning.  We aren’t the ankle-biters anymore!
Least Favorite:  Discogs prices 🙁

Crispy Chris’s Top 10 Electronic Chart

By Chris Burrell

Guys, I’ve never done a chart before, so consider this my chart cherry! These are 10 tracks that have frequently found their way into my recent mixes and general listening. Some of these tracks are built squarely for the club, some are more for headphones, some are new, and some have been out there a while, but all are good. No particular order.

Canblaster – I Think About U (Marble)

A flat out just good song – I wish it were longer! Brodinski said it was his favorite song of 2013. The song opens up with a looping, “I don’t know what I was thinking about most of the time…” while a heavenly beat builds. Can you guess what they were thinking about?

Jamie Lidell – You Naked (Crackboy Remix) (Warp)

I picked up this track from a pink 12” of remixes at Princeton Record Exchange and was hype to see that the seldom releasing Crackboy was one of the remixers on it. The elusive French producer tweaks Lidell’s amazing voice around one hook, and builds a monstrous swinging beat for a slamming good time. What’s even cooler is that I can’t find this track anywhere digitally (this video has like 500 views) – viva vinyl.

Moderat – Bad Kingdom (Head High Remix) (50Weapons)

I had no clue who Head High is (later figured out that it’s one of the many aliases of German producer Shed), but I trust Modeselektor & their 50Weapons imprint, so no surprise that this is a damn good remix. The vocals haunt throughout the chugging drum-heavy track: “This is not what you wanted, nor what you had in mind…”

Four Tet – Buchla (Text)

I love the new Four Tet album, and this is definitely a standout track from it for me. The beat is super raw and bumps, but then it gets all soft and melodic before going back in. Four Tet’s always been the king of samples and interesting music; this one makes me dance more than chin scratch.

Paul Johnson – Let Me See You Butterfly (DJ Deeon Remix) (Mr Kim’s Records)

I’ve definitely fallen victim to the recent resurgence in legendary Chicago house label Dance Mania (a retrospective compilation on the label just came out), and that victimization led me to this amazing track. Take everything that’s great about ghetto house: fast paced beating drums and bass, dirty vocals, raw energy, and then add in a super melodic beat flip, and BOOM – you have this track. DJ Deeon definitely shows his depth as a producer on this remix, I play it both faster and slower in mixes – really whenever I can.

Duck Sauce – Party In Me (Fool’s Gold)

Duck Sauce’s funky, fresh, and simple songs tend to come out as the weather gets warm, and give me all kinds of reasons to smile. This track was released for free as part of the duo’s “Duck Droppings” EP, preceding their first album “Quack”, out on April 15th. All of the tracks are great, and lean wonderfully on samples (look them up), but this track is so damn catchy, and I find myself playing it on loop all the time.

Sammy Bananas – Flexin (Fool’s Gold)

Once you listen to this track, the cover for this very solid EP (Mr. Flex: a banana with a mustache, sunglasses, and biceps) makes total sense. Long time label affiliate Sammy Bananas melds dance-y futuristic and vintage sounds for a party starting results. This track hits with just the right amount of horns, blips, and sleaze.

Jessie Rose – Love the Feeling High (feat. Ed Weathers) (Play It Down)

A great recent example of using speeches/dialogue/spoken word over a house beat. The beat is funky and simple, and then a male storyteller is added over top, hilariously recounting a crazy trip at a warehouse party with “kids that are way more turnt up than me.” Play It Down, the label Jessie Rose runs, has had a string of great releases, and his new album “The Whole Twelve Inches” (which this track is a part of) and all of its remixes, definitely should continue the label’s strong momentum well into 2014.

Aden – Whip (Jimmy Edgar Remix) (Ultramajic)

I was in a hotel room in India listening to Claude VonStroke’s Essential Mix, and he started his mix off with this track. I had only heard the original up until that point (which is a bomb), and I could have picked almost any of the tracks from the young Ultramajic label for this list, but this remix from label boss Jimmy Edgar is particularly doing it for me and has a poignant memory attached to it. Edgar has been on fire lately, turning everything he touches into drummed out techno bliss; I definitely look forward to more from him and his label this year.

Jeremih – F U All The Time (Akito’s Clap Trap Ice Rink Bootleg) (Bootleg)

I love the original of this song, but was looking for just the right remix of it to use in mixes. A little SoundCloud digging later, I came across this free download, whose genre is listed as “Porn Groove”. The original of this is super hypnotic and weird, and this bootleg cleverly blends the instrumental of UK Grime artist Wiley’s “Ice Rink”, making it more of a DJ tool, and still keeping the weird of the original.

 

Peep some of these tracks on the Halfway House, Thursdays 10pm-12, and tweet @ me, bro @CrispyChrisX