Communiqué – Page 23 – The Official Blog of WKDU Philadelphia 91.7 FM

SPREAD LOVE: My first exhale after the 2014 Electronic Music Marathon

by Chris Burrell // @Chri5B_

WOW. JUST, WOW.

We received the most amazing support from the Philadelphia DJ and local business community. Still can't believe how truly awesome this lineup is.... — We received the most amazing support from the Philadelphia DJ and local business community. Still can’t believe how truly awesome this lineup is….

The 2014 Electronic Music Marathon was a SMASHING SUCCESS.

This was our 11th year of the EMM after 7 years on hiatus, and my first year involved in the event.

Before I get into this post, I want to give a big shout out to one of my radio inspirations – Jenn Louie. For many years, Jenn had an amazing house and electronic show on KDU called Foundation, and organized many of the previous EMM’s. Some of my first beat matching and set building lessons were from watching her mix using our cruddy CUE speaker and CD players with rudimentary pitch controls.

I’m so honored that I got to pick up the history of a 10 year event, and continue the tradition of connecting Philly DJs of all kinds through electronic music.

King Britt IN THE MIX — King Britt is an EMM alumni, and came to our studio on Monday for the final day of the marathon. He ended up doing 2 completely different DJ sets, and also gave us the WORLD PREMIER of his project with The Village of Arts & Humanities: Plackback Musik.

Part of me wants to just dive in and rave about how RAD everyone’s sets were, but I’ll have to do that later when we get all the audio sorted to go with.

I want to tell a story.

We have one caller who ALWAYS calls our station to say hello. I’ll be in the mix on my show, see his name come up on the caller ID, and then get a little grin on my face.

I know that he’s going to suggest some rave track for me to check out, or talk about how I should check out this particular Kung Fu movie (not even kidding), or mention how another DJ earlier in the day was killing it.

He damn well knows his house music – but when I talk to other KDU DJs, they also tell me about how he knows his jazz, his psych-rock, and so on.

His support of the entire KDU DJ roster is really amazing, but his main message is even more awesome.

Whenever I ask him his name, he simply says, “SPREAD LOVE!”

We refer to this caller as SPREAD LOVE, and have taken his message to heart.

I TRULY believe that the Electronic Music Marathon SPREAD LOVE through ALL kinds of electronic music this past Columbus Day Weekend, as we rocked the airwaves for 75 hours of CONTINUOUS ELECTRONIC JAMS.

From electro to disco, boogie to gritty, Italo to techno HOLY MOLY the 2014 EMM DJ lineup absolutely KILLED their sets.

From talking with King Britt about Sun Ra, to chatting with Billy Werner about how he went to high school with Ron Morelli, to hearing about how Dave P spun at KDU to promote his first ever Making Time – our studio was BLESSED with the energy of some truly amazing DJs who donated their time and resources to make this a SMASH.

We received the kindest words from Dave P, who is definitely one of the RADDEST DJs around.

He posted this photo from his closing set of the EMM on his Instagram and really blew me away with his words….

“Last nite I had the honor of playing the closing set on @wkdu‘s Electronic Music Marathon and….it truly was an honor. It was also one of the most positive and inspiring musical experiences I’ve had in years. I have not seen such genuine positivity, true love of music and excitement about music and being involved in music from a group of people like I did last nite in the WKDU studios in a very long time. They really are a MAGICAL group of people who are doing great things for the right reasons. It makes me think that the music “industry” should be learning from these kids and gaining inspiration from them and people like them as opposed to them learning and gaining inspiration from the music “industry”. One of the staff members was talking to me about some of the DJs they wanted to have play who didn’t ended up playing for them. One DJ’s manager, who will remain nameless, told him he would need a minimum of $10,000 to have him play. C’MON…..REALLY ??? The music “industry” and the people involved in it….artists, managers, agents, labels etc should be doing everything they can to support these kids and others like them and like I said….probably learning from them and gaining some inspiration from them too. (Hey….look how much DAVIDE taught and inspired me while I was in Positano and…..he was younger than me.) Anyways….They’re doing this for the right reasons and so should all of us !!! This IS supposed to be FUN….remember ??? Here’s to a group of college kids who put together what was basically a 4 day DJ festival on their RADio station with no budget while, in the words of one of the staff, “hopped up on falafel and red bull” !!! Congratulations WKDU and thank you for allowing me to have such a MAGICAL and inspiring experience last nite !!! I can’t wait to do it again next year and…..hopefully DAVIDE can join me next time. He has some really rad olde ITALIO-DISCO records.”

We can’t thank Dave and everyone else who helped us out enough!!!! DAVIDE, come back with those Italo records ANYTIME!!

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Support WKDU and college radio

Support Musicopia and arts education in Philadelphia area schools

Support The Village of Arts & Humanities and community empowerment in North Philadelphia

Go to wkdu.org/emm to find out how you can donate and support three amazing causes.

THANK YOU !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Electronic Music Marathon Part 1: Friday night to Saturday morning

As I sit here recovering from my wisdom tooth surgery, doped up on oxycodone, I can’t really do much more in the running of things for our electronic music marathon and figured it would be a good time to do some write ups. Rob Paine and Will Putney from Worship Recordings kicked us off from 6-9 PM, with our favorite listener Spread Love calling in for the first time of hopefully many times.

Noah Beresin (Noah Breakfast) walked in at quarter to 9, for his triumphant return to the WKDU airwaves: the first time he’s been in the station since 2009. We talked a bit about what he’s listening to right now and he told me his favorite beat maker right now is Mr. Carmack- who I’ll be sure to check out ASAP. He gave us the low down on what it was like for him coming up making beats as a student and a bit of history of WKDU from before I even came to Drexel. He’s a pretty chill dude, and I really enjoyed the behind the scenes rundown he gave us before the show. And holy damn did he bring the noise!

Noah Breakfast bringing dancehall vibes — Noah Breakfast brings the dancehall vibes

Brad Henley AKA B-Rilla came next, for his first (but hopefully not last!) appearance on the WKDU decks. He played a set of drum n bass, a genre I know nearly nothing about. What I expected was something sounding like 90s Prodigy- what I got instead was fast paced, breakbeat goodness.

Next up, a name we’re all familiar with stepped up to bat: Chris B from The Hot Mix took the first all wax spin of the night. A few minor technical difficulties aside (hey this is college radio after all- it wouldn’t be any fun if it all worked the first time!) he threw one funk of a set. Slowing the grooves back down was the perfect lead up to Fich from Young Robots.

Michael Fichman, DJ Apt One from Young Robots, actually got here about 40 minutes early, which gave Sam and I some great one on one (on one) time with him. We talked shop about breakfast and fast food: who makes the best fries (the consensus seemed to be Shake Shack, though I still think Five Guys and their massive sized portions offer the most bang for your buck), and where you can get decent Mexican food in the north (apparently Norristown is quite good for that). Fich and I also swapped some painkiller stories. I won’t spoil the surprise or befoul his good name, but he definitely got into more trouble when he got his wisdom teeth removed than I did.

DJ Apt One gives us an education in classic italo-disco

Did I say Chris threw down one funk of set? That’s totally true, but Fitch freaking KILLED IT on the funk and grooves. Going back to the roots of electro and synth pop he hit all the buttons to keep me dancing, painkillers and all. His set of italo-disco was the coolest thing I’d heard all night, taking the cake for my favorite set so far. Even more impressive was that he had come from a 4 hour set earlier in the night and still had that kind of energy until 2 AM.

Sam from Blueshift gave me a tour of his Vestax board, showing me all the cool shit he’s programmed into it. Really gave me a new motivation to get a controller of my own and start experimenting. His set was much deeper than Apt One’s, a lot more chill, but no less awesome. Really good jams for 2-4 AM (the best time for jams).

For the last few hours of night the pain in my jaw had been getting steadily worse (basically from B-Rilla’s set until Blueshift’s began), but I had been holding off more painkillers (I’m afraid of addiction/constipation). Eventually I just said screw it and took another pill, lay down for a few minutes, and arose feeling refreshed and ready to enjoy Blueshift’s set.

Maybe it’s the sleep deprivation or maybe it’s the drugs but I’m feeling pretty good about the state of WKDU’s Electronic Music Marathon. With the first night behind us, I’m ready to face the rest of the weekend. I’ll be back on the blogz daily over the next few days, and be sure to follow us on Twitter @wkdu for updates, giveaways, and more.

Concert Review: King Tuff @ First Unitarian Church (October 9, 2014)

Words and photos by Nick Stropko

I think the most apt way to describe seeing King Tuff live is to describe the banner in front of which he performed. The words “KING TUFF” are spelled out in flames, surrounded by sunglass-clad skulls with varying numbers of teeth missing. The sunglasses have the words “KING” and “TUFF” emblazoned across the lenses.

King Tuff is not big on subtlety.

On Wednesday, Vermont-based garage rock weirdos King Tuff played to a packed house at the Church–part of the string of final shows this fall before R5 cedes the storied space to an after school group. Mr. Tuff (actually named Kyle Thomas) may be one of the world’s best ambassadors of dad rock, slinging shamelessly massive riffs with a bright blue Gibson SG through a beat up Marshall full stack, backed by what appeared to be two aging roadies for Lynyrd Skynyrd. The band exuded a certain skeezy charisma, affecting the part of rock star idols (replete with sweet moves) despite the dingy basement setting. They wasted little time in working the crowd up, which devolved into a mass of moshing entropy after two or three songs that only grew throughout the night. If you suspended you sense of disbelief and squinted just a little bit, it wouldn’t be hard to imagine King Tuff in the mid-seventies selling out stadiums. For now, though, he seems perfectly content being the freak working up weirdos in basements–and I seriously dig it.

Pre-EMM chat with Blueshift on house music, brunch

by Chris Burrell // @Chri5B_

Ahead of his set on the #2014EMM, I caught up with Philly DJ and producer Blueshift to chat about house music, changing tastes (music and otherwise), and the Philly scene. He’s got a release out on the legendary New York label Nurvous Recordings, and was the co-founder of the highly acclaimed French Express blog, amongst manyyy other things.

Blueshift in the mix! — Blueshift is one of the many artists we are honored to have as part of our 2014 Electronic Music Marathon. He’s a sick DJ and reps the deeper, house-y sounds – don’t miss his set!

Chris B: Wassup man, thanks for linking up, and looking forward to having you on the EMM!

Blueshift: Noo problem, man – happy to chat, and stoked to participate!

CB: So, how did you get into house music?

Blueshift: I’ve always been a fan of 80’s music. Even as a kid, synthesizer-heavy stuff caught my ear. I loved Eurodance! When I discovered dance music and really got into it, it was mainly the harder stuff like hard trance and such. Over the years, I just branched out and moved to different genres.

CB: What was one of the first tracks like that that you loved?

Blueshift: Snap! – “Rhythm Is a Dancer” is one I always really liked.

CB: As you got older, what was some of the dance-y stuff you got into?

Blueshift: In the later years of high school, I was really getting into music, but listened relatively passively. I remember this one track by Ghost in the Machine called “A Time Long Forgotten” – I listened to that a lot. I think I had a few Hybrid tracks around then, too. College is where I discovered internet radio dance music stations and got into hard house and trance. Stuff like Tidy Boys and Tunnel Trance Force.

CB: So how did you end up moving towards the funky side of things?

Blueshift: Just through changing tastes. I moved from trance, to progressive stuff, and somewhere around 2006/2007 my ear really caught onto the french house and nu-disco sound.

CB: Around that time for me, that was Justice / MSTRKRFT – what was it for you?

Blueshift: I liked their sound, but for me it was the Lifelike/Fred Falke/Alan Braxe crew that really did it for me. Thinking back, the turning point might have been when my friend played one of James Grant’s early Anjunabeats Worldwide shows for me, and I heard Michael Cassette’s tracks for the first time. Something about it just seemed to combine trance, but with a pure 80’s sound and it totally shoved my taste in that direction for the next few years.

CB: They are both awesome crews – as a side note, have you heard Erol’s fabric live mix? Pure FILTHH.

Blueshift: I haven’t! I’ll load it up on queue for today 😀

CB: Have you always been based out of Philly?

Blueshift: For the most part. I was in NJ for a couple years for the last year of high school and for college, but moved back around 2006.

CB: I feel like the ‘scene’ here has kind of blossomed recently – tell me about your experiences in Philly – as a resident, as a DJ, etc

Blueshift: The scene in Philly DEFINITELY has exploded in the past two years or so. The caliber of artists coming through now is so great. We have tons of awesome and current acts in on a regular basis, and lots of smaller groups popping up as well. There’s a pretty steady rotating lineup of good gigs. Philly can also be a pretty tough city to get a handle on though; I’ve played a wide range of shows here, from empty to packed, but I’m definitely grateful for all the opportunities I’ve had to play here.

CB: Who are some of your artist homeys in Philly that we should know about?

Blueshift: The Worldtown peeps have been putting out some great tracks recently (and crushing it with their events) **editor’s note: they’re spinning for us on the EMM, too!**, Apt One always brings the heat **also spinning for the EMM**, Les Professionnels are super pro **ALSO spinning for the EMM**, and PS 118 has some really tight stuff upcoming. Maggs Bruchez are also some of my favorite Philly producers.

CB: Where’s your fave brunch spot?

Blueshift: Cafe Renata in West Philly. I’m always there. I’ve also found myself at Broad Street Diner a bunch recently.

CB: I love pork roll – how do you feel about pork roll?

Blueshift: Pork roll is great, man. Blew my mind when I first heard it called Taylor Ham.

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The 11th annual Electronic Music Marathon will take place October 10-13 on WKDU. 91.7 FM Philadelphia / wkdu.org worldwide!!!!

Tune in for our amazing lineup of DJs, on-air giveaways, and support college radio and arts education while you’re at it!!!!!

Get @ us all weekend long during the marathon for info / giveaways | @wkdu #2014EMM

Get Stoked for the Electronic Music Marathon!

The first round of DJs have been announced:

See here to donate/enter.

ANOTHER 10 Songs That Make Us Cry

By: Glasses

A fellow DJ here on WKDU called me cold and emotionless recently, so I decided to jump on the “10 songs” bandwagon to prove to myself in a meaningless way that I was still doing okay. Written at 4AM against harsh fluorescent light.

1. Spiritualized—Ladies and Gentlemen We are Floating in Space

This one goes way back for me. The gentle swinging in the background, the layering of the vocals, the juxtaposition between hope and despair. Whether or not this track was written about heroin is irrelevant. Spaceman taps in to a universal feeling of confusion between hope and biased preconception, and the result is something special. I ended up listening to this album a lot when experimenting with my first relationship. I was in no way ready emotionally, and by the time I realized that there was nothing real beneath my expectations and illusions, I found that this album was the only thing that was really left after the full ordeal. Great record, great live show, too.

[youtube https://www.youtube.com/watch?v=iB7E1D_3Na4]

2. Godspeed You! Black Emperor — Sleep

“They don’t sleep on the beach anymore.”

[youtube https://www.youtube.com/watch?v=cQcE4_7-X78]

3. Fuck Buttons—Olympians

Fuck Buttons takes me back to careless summers in high school playing now-dead video games with close friends and feeling a general acceptance of the world. These days are gone. Things change, and experience is flitting. There is no use in harboring desires informed entirely by past experience as they hinder any chance for real progress to be made going forward, but every time I hear this track, if only for a moment, I feel that a nostalgic lifestyle might not be too awful.

[youtube https://www.youtube.com/watch?v=kQZo2rsReEM]

4. Daniel Johnston—True Love Will Find You in the End

[youtube https://www.youtube.com/watch?v=Ma7lyfYzIw8]

5. Jeffrey Lewis—The Chelsea Hotel Oral Sex Song

My friend Max sent me this song one of those early mornings in which you go to bed to the sounds of birds chirping outside. I took it as a personal attack. Never before had I felt more spiritually connected with a song. If anything sums up my most successful social experiences with others, this songs does it. Re-listening to the track for this article made me cry again. The universe is absurd, and no regrets are logical because the sheer amount of factors pulling us in all directions are limitless. At least that is what I tell myself to when I find myself in these places. There is a line in the song about writing love songs without every really having love to write about, but what is more important is the final vignette about the universality of all of these feelings.

[youtube https://www.youtube.com/watch?v=dlRanftUqO4]

6. The Antlers—Wake

“The hardest thing is never to repent for someone else, it’s letting people in.” In a particularly difficult summer, I found myself on the roof of a building in Las Vegas in 114 degree heat crying to this album.

[youtube https://www.youtube.com/watch?v=7fpI2PPRAM4]

7. Strand of Oaks—Pope Killdragon

[youtube https://www.youtube.com/watch?v=2uWA_kCRaNM]

8. Mount Eerie—Moon Sequel

“What gives? I yell and there’s no answering sound. And there is nobody around, and there my answer was found.”

[youtube https://www.youtube.com/watch?v=dsUfvPx7gbY]

9. Leonard Cohen—Suzanne

Please, just leave me alone, Leonard Cohen warned me about this and I’m not about to fall for it again.

[youtube https://www.youtube.com/watch?v=otJY2HvW3Bw]

10. The Microphones—Instrumental

Goodbye my friends, I am gone.

[youtube https://www.youtube.com/watch?v=BlP57Ny-y9Q]
About the author: Glasses is doing much better now, thank you for asking. He is one Top 10 list away from making the Buzzfeed shortlist of list writers for 2014.

[spotify id=”spotify:user:1229622277:playlist:5XKLEtnBpTAAf5ZbYOXoRT” width=”300″ height=”380″ /]

Another 10 Songs that Make Us Cry

by Shannen Gaffney

As a last little hurrah as music director, before the reigns are handed off to DJ Glasses, I decided to follow DJ Esmail’s lead in listing ten songs that make me cry. It’s the perfect time to listen to this kind of playlist anyway, Back 2 School time! I would also like to just clarify that there are many, many more than ten songs that could make me cry under the right circumstances. Here’s a fraction of those.

1. Built to Spill – “Carry the Zero” (1999)

I nearly failed Math 101. But carrying a zero is a simple enough concept, even for me, to compare to a relationship gone wrong – and BTS do it just right. Those opening chords alone just strike a nerve. This song comes from my favorite album of all time, Keep it Like a Secret. If you don’t know them and need an album to start with, listen to that one!

2. Elliott Smith – “Between the Bars” (1997)

We’re going there. There’s loads of reasons why this song makes me cry from the lyrical content, delicate vocal timbre, and Elliott Smith’s story in general. Though many of his songs are, this song in particular is clearly about the struggle of overcoming addiction, and it’s utterly heartbreaking, as is everything this man is associated with.
=/

3. Jose Gonzalez – “Heartbeats” (2006)

This song was originally by The Knife, which is a much livelier, synthtastic (yup) version, but the way Gonzalez reforms this song with nothin’ but guitar arpeggios fits perfectly with its solemn lyrics and theme of broken promises. (This song works great on a sleep playlist.)
http://www.youtube.com/watch?v=oKo8Czj112I

4. Sinéad O’Connor – “Nothing Compares 2 U” (1990)

I couldn’t leave this classic song out. Sinéad is an artist and activist and a heroine despite any mental breakdowns or illnesses she’s experienced, and this song is indisputably heartbreaking. Even Miley Cyrus was inspired by this music video, and tried to pay homage to it with “Wrecking Ball,” which, was not as good.
http://www.youtube.com/watch?v=iUiTQvT0W_0

5. Ben Kweller – “Old Hat” (2009)

I grew up listening to every Ben Kweller album. His older songs stick with me the most, but this one off 2009’s Changing Horses is a beautiful tune about avoiding the pitfalls of boredom in a long-term relationship featuring a giddy little piano line and heartstring-pulling lap steel guitar.

6. The Cure – “A Night Like This” (1985)

In 2014 there’s almost nothing more existential and sad than watching the Cure live. They aren’t the performers they once were, but in 1985 they were #sad for other reasons. Those perfectly timed and striking opening chords paired with in-your-face hollow drums open up the song with a void that rips through you, and just keeps pulling. Pure goth sadness.

7. Waxahatchee – “Catfish,” “Lively,” “Blue Pt. II” (2012-2014)
(Also P.S. Eliot’s “Diana”)

It’s scientifically impossible to pick just one Waxhatchee song that “makes you cry.” I had to include all of these, and even one from P.S. Eliot (Katie and Allison Crutchfield’s older band; you won’t be sorry). I’m assuming you’re having a horrible day since you clicked on this article, so wallow in these intimate tearjerker songs (and all of American Weekend) and you may feel a little better.
http://www.youtube.com/watch?v=k5ZMsO-iJXo

8. Kevin Devine – “Ballgame” (2003)

It only takes three chords to make a great song and Kevin Devine may just be the king of this rule. With three simple chords, “Ballgame” explores alcoholism, war, regret and growth in one of his most poignant songs ever written.

9. Drake – “From Time” ft. Jhene Aiko (2013)

I’m putting a Drake song on here. Sue me. Though I’ll admit a good portion of his lyrics are a bit elementary, tunes like “Furthest Thing,” and “Pound Cake” have that yearning, apologetic quality that we can all relate to – and an aural emptiness Drake cultivates extremely well. Aiko’s beautifully fragile voice carries this one, and Drake’s reflections on his relationship with his father add to the drama.

10. Bright Eyes – “Poison Oak” (2005)

Bright Eyes is up there with Waxahatchee in that the whole discography is emotional as hell. Oberst is a known existentialist, of course, his effective and assured recipe being a simple song structure, steady acoustic guitar and a philosophical debate, the piercing lyric in this one: “I’m glad you got away, but I’m still stuck out here, my clothes are soaking wet from your brother’s tears.”

Listen to more cry-worthy jams on Shannen’s Rock Bottom Radio, Wednesdays at 2pm.